

Updated · Oct 13, 2022
Updated: October 21,2022
As a podcaster, your microphone is your principal tool of the trade. It can make or break your show. A top-notch mic will help you sound more professional and polished.
But, which model is the one?
We’ve assembled the finest collection of both budget and pro-level microphones, fit for any skill level and setup.
We have all the info you need in one place:
So, tune in and read on!
As a contender for best microphone for podcasting, the Blue Yeti is a classic choice for all fledgling podcasters. This USB condenser mic has it all: sound quality, ease of use, and versatility — for only $129.99. It supports multiple polar patterns for maximum utility. You can also fine-tune your recordings with the Blue VO!CE software.
at Amazon
Works with
Mac and PC
Jack
1/8’’
Design
Multiple pattern options
The Rode NT-USB will please both newcomers and veterans of the podcasting scene. It’s a USB condenser mic with a cardioid pickup pattern optimized for solo vocal recordings. Count on additions like the pop filter, headphone jack, and on-mic mix control, and you have a complete package — for $167.
at Amazon
Works
Mac, PC, and iPad
Pop filter
Yes, detachable
Jack
1/8’’
The ATR2100x-USB is a budget-friendly dynamic mic that will accompany you on all your travels. It’s a dual output model: XLR and USB-C. Its low price of $100 doesn’t reflect its sound quality. On the contrary — the ATR2100x can give mics thrice its price a real run for their money.
at Amazon
Output
USB-C and XLR
Converter
D/A
Jack
1/8’’
When considering microphones for podcast recording, don’t overlook the Shure SM7B, which is practically synonymous for professional sound recording. This dynamic cardioid XLR mic is truly a force to be reckoned with. It comes with a complete set of noise-reducing equipment and three frequency response switches. It costs $399 to elevate your podcast studio with the SM7B.
at Amazon
Noise-reducing equipment
Yes
Frequency responses
Three selectable
Frequency response
50Hz-20kHz
The Rode Procaster delivers broadcast-quality sound in all recording conditions. This reliable XLR dynamic mic has an internal pop filter and shock mounting to bolster its solid construction. Its cardioid pattern will give your voice a real chance to shine. You can get it for around $225-250 — extended 10-year warranty included!
at Amazon
Build
Durable
Weight
1.64 lbs
Frequency response
75Hz-18kHz
When considering good podcast mics, the Heil PR-40 is a true audio connoisseur’s choice. It can capture both vocals and tricky instruments with extreme cardioid precision. And it’s got style! The base price for this cool dynamic XLR mic is $329, but can increase to $399 for the more extravagant chrome and gold models.
at Amazon
Weight
0.84 lbs
Frequency response
28Hz-18kHz
Tuned for
Vocals and instruments
If you value flexibility, the Shure MV7 might be your pick. You can customize every little thing, starting with your voice signature and mic position. Or, you can just kick back and let the mic auto-adjust your optimal settings. No matter your style, this XLR/USB dynamic model will match it for $249.
at Amazon
Output
USB/XLR
App
ShurePlus MOTIV
Jack
1/8’’
Do you want to start a podcast without wreaking havoc on your wallet? The Samson Q2U is possibly the best cheap podcast microphone candidate, then! This trusty dynamic cardioid microphone costs only $59.99. Its dual XLR/USB output can handle most types of configurations, and you can even connect to your iPhone or iPad.
at Amazon
Output
USB/XLR
Works with
iPhone/iPad
Jack
1/8’’
Studio-level quality doesn’t have to cost a small fortune. The Rode PodMic is proof of that. You can count on this dynamic XLR microphone to consistently deliver high-quality sound. Its vast frequency response range promises to capture every little detail. The PodMic costs $99 — a small price for such a stellar device.
at Amazon
Build
Robust
Frequency response
20Hz-20kHz
Additional auxiliary equipment,
Swing clip
So, you’ve decided to look into a proper mic for your show! For sure a step in the right direction, though it may seem a bit daunting at first. There are many things to consider before committing to a specific model — almost too many.
But, we’re here to save you the headache and help you decide. This guide contains all the info you’ll need to identify your best podcast mic. We’ll cover:
Let’s jump right in!
One of your initial concerns should be your mic’s connection type. It’s a fairly simple choice between USB, XLR, and dual output USB/XLR microphones.
But, your decision will influence your sound quality and audio equipment needs. Let us explain.
USB models are beginner-friendly microphones for podcasting.
Why? Well, you just need to plug them into your computer, and you’re ready to go to town. They’re a welcome relief when you’re too busy working on your content and don’t have the time to figure out more complex recording solutions.
They’re also a cheaper solution than XLR models, which require extra gear (like mixers and audio interfaces) and investment. And they’re more portable!
Still, there’s a couple of notable cons.
Not even the best USB mic for podcasting can outperform an XLR one when it comes to raw sound quality.
That’s because USB mics have a built-in analog-to-digital converter. Although convenient, it impacts audio quality. On the other hand, XLR models connect to external converter devices with superior conversion rates and sound processing.
It’s also impractical for multiple participants to huddle around a single USB mic connected to a computer. As such, they are most suitable for solo recording sessions.
XLR models have a three-pin connector. It carries a balanced signal and isolates noise, ensuring high-quality sound recordings.
They also have a spring lock mechanism that ensures a snug fit between the mic and its cabling. This standard feature alone makes XLR podcast microphones less prone to static than USB ones.
Unlike USB models, they don’t have an integrated A/D converter. As such, you’ll have to connect them with an audio interface. While this may be inconvenient to some, it also means you can use multiple microphones simultaneously.
However, XLR mics are often more expensive than USB — and you will rack up additional expenses with all the compulsory gear. This auxiliary equipment also makes them less portable.
Advanced podcasters with relevant experience and a sufficient budget can make the best use of XLR microphones.
You can also have both outputs in a microphone for podcast recording.
Any creator can benefit from their versatility. Double output mics are especially suited for beginners and intermediate-level podcasters itching to grow their craft. They provide a convenient stepping stone for upgrading to more elaborate and professional setups.
All microphones are essentially transducers that convert sound waves into electronic signals. There are anatomical differences between transducers that influence the way they work and their resulting sounds. The capsule is the primary difference!
In general, there are two types of mics — condenser and dynamic.
Let’s see what each type can offer.
Dynamic models are beloved among beginners and are a common piece of podcasting equipment on a budget.
Their build and design make them resilient to high sound pressure levels. They can weather high-energy live performances with no trouble.
For the most part, dynamic mics are tuned for loud and strong sounds, vocals, and instruments. On top of that, they are good at reducing background noises.
This makes them an excellent choice for recording spaces that lack soundproofing. All bedroom podcasters can appreciate this struggle and better, yet, this solution.
And they don’t require a separate power source!
Still, there are specific scenarios where dynamic types aren’t the most viable option.
Studio environments aren’t their forte. They can’t pick up the full intricacies of quieter and higher tuned frequencies. In that case, you’re better off getting a condenser microphone for podcast recording.
Condenser types are typically more sensitive — in construction and in picking up sounds. As you can guess, that makes them less durable than their dynamic colleagues but more accurate overall.
They are also the more expensive option mostly reserved for professional studios. Be aware, they will pick up every slight creak in your recording space.
There’s one more detail that sets them apart:
Condenser podcast microphones need to have a power source, like a battery or phantom power.
Phantom power, although spooky sounding, is actually quite mundane. Your audio interface or mixer usually provides it. It’s a small amount of power, between 9 and 48 volts.
Condenser mics also differ from each other in diaphragm size.
Models with bigger diaphragms record lower frequencies better and are a podcaster favorite. Smaller diaphragms, in contrast, are more suited for higher frequencies.
If you’ve been browsing for the best microphone for podcasting, you’ve probably encountered polar pattern charts. They might look intimidating, but the principle behind them is pretty simple!
Polar patterns represent how much sound a mic will pick up directionally. Each model responds differently to sound coming from various directions. Polar pattern charts are essentially a graphical representation of that response.
Now, you’ll want to zoom in on a mic’s pickup pattern as it will influence your whole recording experience. The way you position it and talk into it can significantly affect the overall sound quality.
Some patterns are undoubtedly more suitable for recording podcasts. If you look at our review section, most microphones for podcasting rely on the cardioid polar pattern.
Still, it doesn’t hurt to know about all varieties for the sake of versatility. There are six main types in total:
There are even models with multiple selectable patterns — like the Blue Yeti from our list!
Now, let’s see what makes each type of mic tick.
Omnidirectional microphones pick up sound from all directions with equal sensitivity. That characteristic makes them ideal for capturing the ambiance of an entire room.
You might also think they’d make good microphones for recording podcasts with multiple participants. But that’s not the case!
You won’t be able to single out any of the voices while making your post-production adjustments. Directional mics for each speaker are the way to go.
Bidirectional microphones pick up sound in a figure-eight pattern. That means they capture sound from the front and the back but reject it from the sides.
Their specific polar pattern makes them suitable for lectures and discussions, where the moderator/lecturer and the audience go back and forth.
Similar to omnidirectional mics, bidirectional models aren’t appropriate mics for podcast recording. They can’t even help you with interviews because you can’t isolate any of the recorded voices.
Cardioid microphones pick up sound from the front while rejecting sound coming from the back. They are designed for solo vocal recording. So, whether you’re singing, interviewing, or podcasting — this is the type of mic for you.
This is also a forgiving polar pattern, meaning you don’t have to perfectly position your microphone to perform effectively. That makes it a solid pick for beginners.
Additionally, the front-oriented shape means it can focus on your voice even in relatively noisy environments.
It comes as no surprise that the best microphones for podcasting use this pattern.
Hyper-cardioid models have a slightly different pattern compared to cardioid ones. They reject more sound from the side while also capturing more from the back.
However, when it comes to their uses, you’ll find they’re nearly identical. So, a big “yes” to podcasts and other solo vocal work. They are also beginner-friendly and good at minimizing unwanted sounds.
There is one notable disadvantage to hyper-cardioid microphones.
They are sensitive to echoes! So, take care when choosing your recording space.
Super-cardioid mics are essentially the more sensitive cousins of hyper-cardioids. They are narrower in the front, more focused, and precise. Even when used at a distance, they are often considered the best podcast mics.
This excellence does demand some extra effort, though.
Unlike the cardioid and hyper-cardioid models, to be effective, super-cardioids must be correctly positioned and aligned.
Lobar (or shotgun) microphones have the narrowest pickup pattern of all. They are extremely front-oriented and reject the most sound from their sides. This type of design is optimal for capturing specific sounds.
Still, lobar models require surgeon precision in handling and positioning. As such, you will find them primarily operated by professionals in tv and film production. All things considered, they aren’t good microphones for podcasts.
Sound quality is the first thing your audience will notice, and we all know the importance of first impressions. An innovative mic equipped with anti-noise tools will give your show that coveted professional gleam.
Let’s find out which extra features can be a huge help!
A headphone output on a mic can save a lot of post-production time and strain. It lets you monitor your recording in real-time. Or, put more simply: you’ll be able to hear yourself as you’re speaking into the microphone.
So, if anything goes awry, you’ll notice and fix it instantly!
A lot of the best podcast mics from our list come with shock mounts. They help isolate microphones from various mechanical noises, like:
You get the picture — all the tiny imperfections that cause noise in the mic’s signal.
There are two types of shock mounts — internal and external.
Internal models provide integrated mechanical protection for the capsule.
External shock mounts, on the other hand, are clips that hold the mic in place. They reduce the noise transfer from the stand to the entirety of the microphone.
A pop filter is another piece of equipment that can help transform a good microphone for podcast recording into an outstanding one.
It acts as a barrier between the blasts of air leaving your mouth and the mic capsule. Some sounds pop more than others.
Take plosives, for example.
Plosives are consonants like B, D, G, K, P, and T, known for their intense vocal releases or bursts. They can seriously mess up a recording!
Pop filters usually consist of acoustically transparent foam and mesh. Those materials shield the mic from plosives (bacteria and saliva, too) without dampening the overall sound.
Windscreens (or windshields) have similar but distinct functions from pop filters.
Their chief purpose is to stabilize the surrounding air pressure and protect your podcast recording microphone from wind noises.
Windscreens are in their natural element when you’re recording outdoors. They are usually made from foam and fit over microphones like snug little caps.
They also bring down the overall sensitivity of the mic. That’s both a good and a bad thing. A microphone with a windscreen picks up less background noise, but it also affects treble and high-frequency sounds. Pop filters are more subtle in this instance.
Even the best podcast mic will perform shoddy if not positioned correctly. You will need a mic stand — unless of course, you plan on holding it all the time.
There are three types to choose from:
Out of the three, floor stands are the least advisable option for podcasters. They’re usually used by singers who have to stand during performances.
However, desktop stands and boom arms will fit your style.
Just make sure that they’re compatible with your chosen mics for podcast recording. You don’t want to commit to a stand that can’t hold your mic.
Lastly, your budget will be one of the deciding factors in choosing your microphone. There’s a wide range of prices, fit for any wallet.
You should know a couple of general rules that will influence the price of your mic.
Condenser models are typically more expensive than dynamic ones. The bigger their capsule size, the pricier they are.
XLR models also usually cost more and require extra gear, which means more expenses.
Still, finding your best mic for podcasting doesn’t have to be a costly affair.
In fact, there are amazing models for well under $100 — like the Samson Q2U at just $59.99. Other mics reviewed in this budget category are the ATR2100x-USB ($100) and Rode PodMic ($99).
Shopping for a podcast microphone can be challenging. There are many things to consider, like your budget, gear, mic portability, features, recording space, and more.
Luckily, our reviews and guides cover all those issues. There’s a perfect mic for everyone’s budget, newbies and veterans alike. Your best podcasting microphone is surely on our list — you can’t miss it!
Microphones with a cardioid or hyper-cardioid polar pattern are your surest ticket to success. These patterns are the most forgiving and novice-friendly. They are also primarily focused on an individual voice.
As for whether your mic for podcast recording should be dynamic or condenser, XLR or USB, that largely depends on your recording environment and setup. We’ve covered the issue in great detail in our buyer’s guide — feel free to check it out.
But, TL;DR:
USB type — yes to pairing up with your computer exclusively.
Either one can be the best podcast microphone - just depends on your recording space.
You should get a dynamic microphone if you’re podcasting in your bedroom or office that lacks soundproofing. But, if you’re recording in a more professional setting, like a studio, a condenser model will serve you better.
Specific Yeti models are a smart choice for sure! The Blue Yeti earned its spot on our list of best microphones for podcasting for a reason. It’s an affordable and easy-to-use condenser mic with multiple pickup patterns.
Selma Citakovic
Selma is a content writer with a love for all things nerdy by day and an internet archaeologist that likes to dig up obscurities by night. Mostly she's trying to balance between many obsessions. Right now, it's bass playing and reading hard sci-fi about vampires in outer space - next week, who knows.
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